Head-On
THE FOREHAND: OPEN STANCE AND HIP ROTATION
Two TENNIS magazine articles here explaining how to
better hit a high forehand and sitter. The
establishment teaches as the basic form an open stance
forehand and body rotation, and all teaching articles
build from those beliefs. Let's see if we are
seeing what they are saying.
First a small excerpt from TENNIS magazine's March,
2004 issue: HARD TO HANDLE: HIGH FOREHANDS, HITTING
HIGH FOREHANDS CAN BE A TALL ORDER. HERE ARE
FIVE ADJUSTMENTS THAT WILL HELP, by Curly Davis. Only
one of the five adjustments addresses the body's structure
and footwork. [Photos by Chris Trotman/Getty Images.]
#2. Employ an open stance
"An open stance allows the non-racquet side of the
body to clear out during the swing for an unrestricted
finish. Your hips and lower body can also easily
rotate into the shot, giving it more power. This
added arm freedom will help you handle a shot at your
shoulders. To get into an open stance, line up
the ball with your back foot so that it, and not your
lead foot, is closer to the point of contact. Load
your weight onto the back leg so you can fire your back
hip into the shot." End quote.
It is preferable to remain in an open stance while
addressing the high forehand for reasons of rhythm,
vision, and timing. But during the girl's forward
swing the photos show she does not remain in an open
stance. She hits the ball off the front foot.
What is an open stance? An open stance finds
the back foot closest to the ball during the pre-contact
phase, yes, and the front foot a little further out into
the court. From this position you can shift your
body's weight either by A) rotating on your back leg,
B) rotating on the front leg, or C) moving your front
foot forward. A) is a true open stance, that is
the body's weight remains on the back leg during the
forward swing, body weight can only be shifted via
rotation like a golfer and the front leg lifts but
does not move forward, at times it winds up going
backwards. With B) the front leg acts as a
pivot foot, it remains planted and you spin on it so
the back leg lifts and comes around and forward. Rotation
again. C) is contact off the front foot, no longer an
open stance.
In the old days you were told to stand sideways,
literally, and take crab-like steps to the ball (but
has anything really changed?). The back foot
would drag behind you, it was never the closest foot
to the ball, the front foot was.
The idea of placing the back foot closest to the
ball prior to the forward swing is a good idea instead
of dragging it behind you, this speaks to the bipedal
footwork pattern seen in Step 2
and applies to all
strokes except the serve. From this allegedly "open"
position, though, you can take a step forward into the ball with the
front foot and thus be hitting off the front foot. And this is
exactly what the photos show in both articles though the writers
don't mention it.
In the first photo the girl is in an open stance but
her front foot winds up going forward in the photos that
follow. She is timing the ball by taking a step
forward with the front foot instead of rotating in-place
on either foot. Furthermore, linear momentum here is
the grandfather of her power structure and not rotation. Yes
there's angular momentum, but Revolutionary Tennis says
linear momentum not only comes first but is the well-house
of the body's power delivery system instead of angular momentum,
which is stroke related.
In the old days this player would have remained in an
open stance while hitting this high forehand or not have
left the ground while stepping into the ball with the front
foot. Certainly this girl is loading her weight on her
back leg, duh!, and she could remain in an open stance
during contact but she chooses not to as the ensuing photos
clearly show. She steps forward into the ball and times
it off the front foot - her front leg is not lifting and
moving back during contact, her back leg is not swinging
around during contact, both of which would mean and show
an open stance contact.
At the end here I will show a photo of Borg's open
stance and a sequence by Navratilova for further clarification.
The second article by Juan Nuņez, May 2004, gives
excellent advice on how to put away a sitter [photos by Fred
Mullane/Camerawork, USA], and though he talks about footwork
his photos show a larger picture of footwork left
undiscussed. It reads:
"When you move up to a short ball and you're the right
distance from it (1) step forward with your right leg
(left if you're a lefty). Make sure you slightly
pivot, or turn, your planting foot so that your toes point
out. This facilitates your upper-body rotation on the
backswing while you load your weight onto your planting
leg. Keep your racquet on the side of your body at
shoulder level with the head above your cocked hitting
wrist. You want to strike the ball at the same
level of your take-back; at the same time, your planting
leg should be pushing your body toward the ball. Use
your wrist to accelerate the racquet and (2) drive the ball
toward your target for a winner." End quote.
His first photo illustrates how you step forward with
the back foot prior to contact and allow the back leg to
push your body [forward] toward the ball. All is well
and good but again, the second photo shows this is front
foot contact and not open stance contact.
Juan's back leg pushes him forward toward the ball and
he hits off the front foot, not the back foot. It's
front-foot contact and NOT AN OPEN STANCE as may be
implied or inferred. This is our (a hitter's) preferred
method of timing and power, off the front foot. If the
front foot doesn't touch down on the court prior to
contact in a more traditional sense that's okay, as
long as it was on its way, which is similar to volleys
where often you hit the ball before your front foot
steps, or touches down, on the court.
Lost in both these examples is the larger picture of
what footwork is. Each player takes a step with the
back foot and then another with the front foot during the
striking routine. This is the 1-2 pattern that defines
human footwork for any endeavor as revolutionary tennis
outlines in Step 2.
The 1, or the back foot in the picture, has its toes
turned in (as predicted by Step 2 and evidenced below)
even though Juan writes "planting your foot so the toes
point out." The girl above has her toes pointed out
while waiting at the baseline, yet by her second frame the
toes are pointed inward, as are her right knee and right hip bone. Turning
your toes out is what teaching organizations teach their
teachers to teach you, but turning your toes out is for
ballet dancers. Tutus for tennis players?
Without further advising that stepping forward with
the back foot is part of a 1-and-then-2 footwork plan
all of which falls under the umbrella of how to move
forward in footwork rhythm, students everywhere will
think the above advice is all about the counterproductive
ideas of hitting off the back foot and rotating the (back)
hip(s). While these two players' hips do rotate
(our hips rotate even when walking in a straight line),
the two players are launching themselves at and into the
ball in a straight line. The stroke is angular
and causes rotation, yes, but these players make their
lower bodies go straight at and into the ball before
this angularity from the stroke kicks in. Without
their lower body's input from linear momentum the upper
body's "rotation" would be worthless. Just try
standing still and rotating your upper body for some "power."
Everywhere, on tennis courts and in magazines, and
at every level, this kind of evidence regarding footwork,
rhythm, and movement direction for success can be
seen. This success has nothing to do with a
unit-turn, open stance, rotation. As repeated
throughout Revolutionary Tennis, sadly these details
which help flesh out the larger picture are overlooked
which in turn would make it easier for you to play the
game. While Lleyton Hewitt will turn his back
foot out to the side as an initial reaction, watch
what he does once he goes after the ball. His
initial move is no different than an outfielder
taking a couple of steps back and over before moving
forward to the ball once he gets his bearings
straight. Are baseball outfielders instructed
to move back first? Of course not, but they
have time and real estate tennis players don't.
I include a photo sequence of Martina Navratilova
hitting a forehand return from World Tennis
magazine. Exactly as opined above in TENNIS magazine,
her back foot steps forward and closer to the ball
than the front, and exactly as the other photos she
launches forward and times the ball off the front
foot. Ask her if this is an open stance
situation or front foot contact. Anyone out
there know her? Ask her.
This photo of Borg shows an open stance. He is
loading his weight on his back leg, yes, but when he
hit the ball his back foot remained back where it is
now for the most part. At times he would do an
open Forward Stance, that is taking
a tiny step into the ball with the front foot, but
mostly he would remain in place and rotate around.
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